These are the different patches you can choose from when buying a Molecular Compactor or Disruptor. There are new ones added regularly. You can find a more detailed description of each patch and its controls on the V3 patch list here.

If you have a pedal with older patches (from before november 2018) you can find the older lists here: V2.1 / V2 / V1

Delays

stretcholay (delay whose repeats get time stretched forward and reverse)

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reversolay (reverse repeats that can be pitch shifted up to 3 octaves)

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freqolay (delay with frequency shifted repeats)

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verbolay filter (a blend of delay and reverb plus filtered feedback)

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verbolay pitch (a blend of delay and reverb plus endless detuned ascending or descending feedback)

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chopolay (delay with feedback chopped up in grains whose size you can define)

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ringolay (delay with feedback going through a ring modulator)

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pitcholay (delay with feedback going through a pitch shifter)

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aliaserolay (delay with feedback going through an aliaser)

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analog(-ey) mod delay (analog sounding delay with filtered and modulated feedback)

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square pitcher (delay with repeats going through a pitch shifter that is modulated with a square wave LFO)

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Loopy, samply, freezy stuff

hold pitch (pitched reverb that can be set to loop infinitely, well almost)

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hold aliaser (aliased reverb that can be set to loop infinitely, well almost)

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random tape loop (a loop of tape where you can use 4 different playback speeds/directions manually or randomly)

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tape loop (a loop that can be slowed down or sped up, the length of the loop can be shortened to tiny bits, can feedback into itself)

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envoloop vibrato (endless repeating delay loops are envelope triggered and run through a vibrato)

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envoloop reverb (endless repeating delay loops are envelope triggered and run through a reverb)

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Glitchy, noisy, random stuff

glitcholay (sample size randomly changing plus lots of interdependent randomness, can feedback on itself)

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pitch-glitcholay (similar to glitcholay but you can octave up the feedback)

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pitch step glider (sample&hold modulated pitch shifter with discreet steps or glissando, can feedback on itself)

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pitch square lfo (pitch shifter modulated by a square LFO whose rate can be randomized, can feedback on itself)

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Modulation

resonator (very short resonating repeats that can create a wide range of textures from metallic to spongy)

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flanger (pretty wide range, from earpiercing accelerated jet plane sounds tosuper boing rubber sounds)

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flanger barberpole TZF ring mod (an endlessly descending or ascending flanger, capable of going through zero, feedback running through a ring modulator)

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grandpa’s vinyl (add vinyl crackle, noise, pitch warp and frequency bandwidth loss to your sound)

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dynamic tremolo (a regular/harmonic trem patch that can do square and sine wave and has envelope control over the rate)

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dynamic ringulator (ring mod with blendable sample&hold and envelope controlled rate)

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dynamic vibrato (vibrato whose rate can be envelope controlled, also does a convincing rotary speaker thing if blended with dry signal)

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dynamic phaser (phaser whose rate can be envelope controlled)

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Filters

envelope filter and optional bit crusher (vocal sounding envelope controlled filter, running through a bit crusher)

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envelope filter aliased (vocal sounding envelope controlled filter), running through an aliaser)

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envelope filter ring modulated (vocal sounding envelope controlled filter, running through a ring modulator)

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lfo filter (vocal sounding sine LFO controlled filter)

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step filter (vocal sounding sample&hold controlled filter)

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step filter bit crushed (vocal sounding sample&hold controlled filter, running through a bit crusher)

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other

hounds (A synth-ey patch inspired by Kate Bush’s running up thathill. A pitch shifter the glides up to the played note with auser definable glissando)

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tannhauser gate (a bit crusher, a pitch shifter, a filter and a reverb, the filter and pitch shifter can be controlled through the expression input)

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drones (2 individual oscillator drones, of which one can FM modulate the other)

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