Patch Name	pot_0	pot_1	pot_2	feedback	wet only	Notes:
						The column "Wet only" simply indicates whether an effect was designed to work as wet only. This is mainly because in certain situations if you have a processed and unprocessed signal mixed together that are too close there is a strange phasing effect happening. Despite this there is no harm in adding dry signal anyway if you like the results :-)
Delays
tape loop (a loop that can be slowed down or sped up, the length of the loop can be shortened to tiny bits, can feedback into itself)	loop	tape speed	tape length	feedback	n	loop knob : left half = continuously recording audio input and playing it back according to tape speed and length right half = stops recording input and loops the last recorded sample infinitely tape length : reducing it to the smallest settings can create glitchy artifacts, flanger-like sounds and other weird stuff, is interactive with tape speed
verbolay (a blend of delay and reverb plus filtered feedback)	delay	reverb	tone	feedback	n	pot_1 goes from fully delay ccw to fully reverb cw
pitch verbolay (a blend of delay and reverb plus endless detuned ascending or descending feedback)	delay	reverb	pitch	feedback	n	pot_1 goes from fully delay ccw to fully reverb cw pitch goes down ccw and up cw
particolay (delay with feedback chopped up in grains whose size you can define)	particle rate	delay	particle length	feedback	n
ringolay (delay with feedback going through a ring modulator)	ring mod rate	delay	ring mod blend	feedback	n
pitcholay (delay with feedback going through a pitch shifter)	pitch	delay	tone	feedback	n
aliaserolay (delay with feedback going through an aliaser)	aliaser	delay	aliaser blend	feedback	n
analog(-ey) mod delay (analog sounding delay with filtered and modulated feedback)	delay	mod rate	mod width	feedback	n
Loopy, samply, freezy stuff
hold (latching) (hold a bit of audio indefinitely, well almost)	hold (tap)	level	tone	nothing	n	leave the pot_0 mode on either pot  or exp  and the actual pot_0 set below half (best used with the Molecular Disruption Device as the Compactor lacks the dedicated footswitch)
hold (momentary) (same sound as latching but momentary)	hold (tap)	level	tone	nothing	n	leave the pot_0 mode on either pot  or exp  and the actual pot_0 set below maximum (best used with the Molecular Disruption Device as the Compactor lacks the dedicated footswitch)
envoloop vibrato (endless repeating delay loops are envelope triggered and run through a vibrato)	sensitivity	delay time	vibrato rate	decay	n	sensitivity: CCW it lets every new signal into the loop and fades a portion of the previous loop out. If no additional signal is played it loops infinitely. As you turn the knob clockwise it lets less of the signal into the loop until when fully CW, the signal is looped infinitely. delay time:  defines the length of the looped sample. On very short setttings, the loop will fade out faster. vibrato rate: applies vibrato to the looped samples decay: fully CW the lamples can loop infinitely (well almost). As you dial back the loop will fade out quicker
envoloop reverb (endless repeating delay loops are envelope triggered and run through a reverb)	sensitivity	delay time	decay	dry reverb	n	sensitivity: CCW it lets every new signal into the loop and fades a portion of the previous loop out. If no additional signal is played it loops infinitely. As you turn the knob clockwise it lets less of the signal into the loop until when fully CW, the signal is looped infinitely. delay time:  defines the length of the looped sample. On very short setttings, the loop will fade out faster. decay: fully CW the lamples can loop infinitely (well almost). As you dial back the loop will fade out quicker dry reverb: applies reverb to the non-looped signal, so that if you hold a loop and max out sensitivity, you can play over the loop with some added reverb if needed
Glitchy, noisy, random stuff
glitcholay (sample size randomly changing plus lots of interdependent randomness, can feedback on itself)	rate 1	sample size	randomness	feedback	n	pot_0 controls how often the signal will begin to loop. pot_1 defines the length of the samples being looped. pot_2 will gradually introduce randomness to the rate and sample size as you turn CW.
pitch-glitcholay (similar to glitcholay but you can octave up the feedback)	feedback	rate	octave blend	nothing	n	pot_0 feeds the signal back to itself in random bursts pot_1 defines how often the sample size changes pot_2 adds an octave up to the feedback I like to leave the param_1 mode on either pot 1 or exp 1 and occasionally step on the tap switch for some extreme glitchiness :-)
pitch step glider (sample&hold modulated pitch shifter with discreet steps or glissando, can feedback on itself)	rate	pitch depth	glide	feedback	n	glide: CCW will be clean random steps, as you turn CW the transitions from one step to the other will gradually glide more, until no more steps are audible but a wobbly random LFO
pitch square lfo (pitch shifter modulated by a square LFO whose rate can be randomized, can feedback on itself)	rate	pitch depth	randomness	feedback	n
Modulation
flanger barberpole TZF ring (an endlessly descending or ascending flanger, capable of going through zero, feedback running through a ring modulator)	rate/direction	through-zeroness	ringmod mix/rate	feedback	y	pot_0 sets the direction of the barberpole sweep and its rate. Right in the middle there is no sweep. As you turn CCW the sweep gets faster and downward. As you turn CW the sweep gets faster and upward. pot_1 flanges closer to zero as you turn CW pot_2 introduces ringmodulation (to the feedback only) careful on the amount of feedback on some settings :-)
granpa’s vinyl (add vinyl crackle, noise, pitch warp and frequency bandwidth loss to your sound)	rate	pitch warp	filter	noise & crackle	n
ring pitchulator (ring modulator and pitch shifter, can feedback on itself)	ring mod rate	pitch blend	pitch	feedback	n
dynamic vibrato (vibrato whose rate can be envelope controlled, also does a convincing rotary speaker thing if blended with dry signal)	rate	depth	randomness	envelope	n	randomness goes from sine modulation ccw to random steps cw envelope sets how much the guitar signal will affect the rate
dynamic phaser (phaser whose rate can be envelope controlled)	rate	depth	regeneration	envelope	y	envelope sets how much the guitar signal will affect the rate
Filters
envelope yueuy filter (vocal sounding envelope controlled filter)	sensitivity	filter range	filter depth	Volume	n	filter range:   CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
step yueuy filter (vocal sounding sample&hold controlled filter)	rate	filter range	depth	Volume	n	filter range:  CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
lfo yueuy filter (vocal sounding sine LFO controlled filter)	rate	filter range	lfo depth	Volume	n	filter range:  CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
ramp yueuy filter (vocal sounding saw tooth LFO controlled filter, sweeps up or down)	rate	filter range	lfo depth/ramp direction	Volume	n	filter range:   CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
bit crushed envelope yueuy filter (vocal sounding envelope controlled filter, running through a bit crusher)	sensitivity	filter range	filter depth	Volume	n	filter range:   CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
bit crushed step yueuy filter (vocal sounding sample&hold controlled filter, running through a bit crusher)	rate	filter range	depth	Volume	n	filter range:   CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
ring modulated envelope yueuy filter (vocal sounding envelope controlled filter, running through a ring modulator)	sensitivity	filter range	filter depth	Volume	n	filter range:  CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds
aliased envelope yueuy filter (vocal sounding envelope controlled filter), running through an aliaser)	sensitivity	filter range	filter depth	Volume	n	filter range:  CCW is a low pass. CW is a high pass. In the middle when you mix both together you get some more vocal sounds